February 8th, 2010

Books of the weekend

I thought it might be helpful to post, on a Monday, links to interesting or particularly helpful reviews of the latest books with a medieval flavour, subject matter or pertinence.

The Crusades‘The Crusades: The War For The Holy Land’, by Thomas Asbridge

Asbridge was reviewed at the Guardian by Helen Castor (whose much anticipated book on medieval queens is due for release either this year or next). Castor found Asbridge’s work ‘grim and thought-provoking’, particularly in the light the human suffering contained therein sheds on the current example of mass suffering and death in Haiti. The only difference, as she points out, is that the hideous mortality caused by the crusades stemmed from deliberate human action, not the cruelty of the earth itself. (Though both could be called acts of God.)
Buy it on Amazon, here

On Monsters‘On Monsters: An Unnatural History of our Worst Fears by Stephen T. Asma
This deserves a place in the medieval round-up since the medieval monster was so reliably bizarre and so vividly, almost lovingly, depicted in manuscripts from our period. Toby Clements, writing in the Telegraph, found Asma’s book ‘terrific… cogent and witty’, although he was perplexed by Asma’s reluctance to nail his colours to the mast and offer us a take-home, age-transcending definition of the monster. He lamented that Jo Jo The Dog-Faced Boy could be lumped in the same category as a monster more au courant such as Josef Frizl. (NB I had always thought Jo Jo was actually named Jo Jo The Dog-Faced B—h Boy, perhaps because I watched this show too much. Note: clip contains a great deal of Ari Gold, another monster, using curse-words.)
Buy it on Amazon, here

February 8th, 2010

Writer’s block: Welsh rugby throws medieval blogger into giant funk

Any of these poor unfortunates would be a preferred choice at lock against Scotland

Any of these poor unfortunates would be a preferred choice at lock against Scotland

I’m finding it quite difficult to blog today, thanks to continuing wrath at Alun Wyn Jones. If the funk lifts, I’ll round up the best history reviews from the weekend’s papers a bit later on.

February 6th, 2010

The Girl With The Dragon Tattoo

When you read the Millennium books it’s both easy and difficult to see why they have been so successful. Difficult, because Larsson is not a good writer. His plots are long, flabby and tenuous. Some of his action scenes are risible. Larsson’s descriptions of violence against women - his favourite hobby horse - are mawkish and distastefully graphic. Easy because Larsson invented a truly original character…

Do wander over to GQ.com to read my latest books piece. This week I reconsidered Stieg Larsson and his ‘Millennium’ trilogy, in advance of the UK release of ‘The Girl With The Dragon Tattoo’ in UK cinemas on March 10th.

The piece is here.

And this is the Swedish film trailer:

February 4th, 2010

Marginalia gone mad: The Hours of Catherine of Cleves

The Mouth of Hell: from The Hours of Catherine of Cleves

The Mouth of Hell: from The Hours of Catherine of Cleves

I have a weak spot for images of medieval demons. In fact, I could pore over the finely illuminated manuscripts of the high Middle Ages for hours, wondering at the mindset of the monks who spent days straining their eyes and their necks to create fantastical and terrifying visions of hell in the margins of their most sacred texts.

What were they thinking? Were they trying to amuse or intimidate their readers? Where did they look for their inspiration? And who in their right mind, as another blogger has asked, could anyone begin to come up with something like an image of a woman vomiting up a fox?

Anyway, all that is to say that the lovely folk at The Morgan Museum have pointed out to me that their new exhibition of the Hours of Catherine of Cleves is now open for business. All the way across the Pond in New York City, alas! Or, alas! unless you live in New York City, I suppose.

And not that alas! at all actually, since you can browse the whole thing in pretty high-def online. Check it out. Demons ago-go. As close as it gets to medieval porn, IMHO.

February 3rd, 2010

The Middle Ages at the Oscars

The Secret of Kells

The Secret of Kells

Can’t really get too excited about the Oscars this year. Usually I’ve read the Hollywood issue of Vanity Fair cover to cover by now. But this year… not so much.

Until now.

I’ve just read that The Secret of Kells - an animated film riffing on the story of the making of the great Irish illuminated manuscript known as The Book of Kells, and the Viking raids on Ireland during the ninth century - is included in the nominations for the Animated Feature Film category. Competition is ridiculous, but it sounds like nomination is reward enough.

According to IMDB, the film has had its festival premieres in the UK and USA (and elsewhere) already. But I don’t know that it’s been on general release.

Gonna track down a DVD asap…

Links: The Blog of Kells

Cartoon Salon site.

Hat-tip: Melissa’s Medieval History Blog.

February 3rd, 2010

The life of a peasant in 2010

Describing unenlightened folk such as Islamic fundamentalists as ‘medieval’ is commonplace nowadays. Columnists do it out of idleness when they’re seeking a single word that implies unenlightened, old-fashioned and cruel. Politicians do it because they know it is controversial enough to make headlines, without actually being racist.

But sometimes, just sometimes, calling a modern society medieval is entirely accurate. Read this, from the English-language Pakistani news site The International News. There’s tantalisingly little reporting, but here’s the first line, just to whet your appetite:

“Twenty-eight bonded labourers, including women and children, were freed from the private jail of Haji Sher Jamali, a local PML-Q leader, police said on Tuesday.”

February 3rd, 2010

Hollywood and the Middle Ages. Yes, again

The Disneyfication of the Middle Ages

The Disneyfication of the Middle Ages

Idling around on the Internet, I came across this academic article from 1998 discussing ‘The Ahistoricism of Medieval Film’. It’s more than a decade old and it’s rather long, but quite a good read if you’re interested in the relationship between the history of the Middle Ages and the way the period is depicted in the recent cinema.

There’s a good deal of harrumphing in it about what the author, Arthur Lindley, calls the ‘Disneyfication of the Middle Ages’. But there is also a thoughtful discussion of the ways in which filmmakers map the cultural and political concerns and debates of the present onto the malleable material of the past. The Middle Ages are particularly ripe for this, suggests Lindley, since they are essentially divorced from the present in terms of our contextual awareness of events and environment, but are also familiar in a variety of important imaginative modes, many of which are specifically attractive to filmmakers.

Worth reading. Especially so in anticipation of Ridley Scott’s forthcoming Robin Hood film. Russell Crowe is touted to be a dark Robin: the greenwood freedom fighter now painted as amoral and violent, rather than the heroic socialist of the late twentieth century. There are few other legends which work quite so effectively as historical palimpsests.

February 1st, 2010

Another medieval exhibition

The 1001 Inventions exhibition opened in Manchester last year (correction: in 2006), and has therefore been running for a while. But it moved last week to the London Science Museum, and I suspect may be worth a look. (If you live in or around London, obviously.)

The exhibition purports to celebrate the scientific advances made by Islamic scholars and inventors during the Middle Ages. The promotional hoopla on the website is a bit nauseating, since the whole thing seems to be less about the exhibition per se and more about implicitly defending modern Islam’s reputation as a learned and humanistic faith… erm, I’ll get back to you on that one…

But as I say, it’s probably worth a look, since a) it’s free, and b) if it’s rubbish you can nip down the road to the V&A Medieval and Renaissance Galleries, which I promised myself I would stop banging on about, but seem incapable of doing so…

PS For a good book about medieval science with emphasis on the Christian tradition, check out James Hannam’s God’s Philosophers, which was published last year.

PPS also seen today: check out the Telegraph’s video tour of the V&A galleries here, and a puff-piece about Islamic science and the 1001 Inventions show, at the Guardian, here.

January 29th, 2010

Black Death review

Black Death movie stillI saw Sean Bean strutting his bubonic stuff in ‘Black Death’ last night. Not bad. Certainly not as bad as it could have been.

Plot recap: It’s 1349. England’s population has been scythed down by the bubonic plague. Word gets around that there’s one village untouched by the pestilence. A knight by the name of Ulric (Sean Bean) and his band of followers want to check it out. They grab a young monk, Osmund (Eddie Redmayne) as their guide. Osmund has an ulterior motive in joining them. This involves, predictably if not especially appropriately for a wannabe monk, a hot medieval wench.

Anyway, off they pop to find the village. When they get there, they find a balding bloke called Hob (Tim McInnerny) presiding over a hotbed of necromancy. Since this is a horror film, set in a violent age, bad things soon happen, many of which involve bubonic pustules; some of which involve divorcing innocent people from their limbs.

Good points: for a relatively low-budget film about a medieval disease, Black Death is surprisingly beautiful. The sets and costumes are convincing, and the landscape, shot in a chilly palate of grey-greens and slate, feels just right. The freckled Redmayne is cast very well. He has a startled, supernatural look about him, which works very well here. Sean Bean is all gruff voice and prickly beard: you know what to expect from the Bean, and you get it in spades.

Bad points: this is basically The Wicker Man in tights. But with less Britt Ekland. The horror isn’t particularly weird or scary, just a bit gross. The necromancer (Carice van Houten) is pretty but not very sexy – which is a crime against the trade of necromancy IMHO. The narrative arc is a bit flat: Ulric and the gang don’t have to do much questing to find the plagueless village, and when they get there, things aren’t really all that mysterious. The ending, in which a disillusioned Osmund wanders the world doing evil of his own, strains for coldhearted brutality, but actually just feels a bit mean.

But overall, this is a decent, well-shot, uncompromising picture. It has a strong sense of place and plague, and although my companion at the screening claims I snorted all the way through at minor anachronisms, I actually thought it was a pretty faithful vision of what fourteenth-century England might have been like. (All except for the weird Anglo-Saxon names, that is.)

Not pestilential cack, then. Lord have mercy on us all.

Black Death is released in May

January 28th, 2010

Sweary Medieval Mirren/Tarantino: well, who woulda thunk it?

The Tarantino/Helen Mirren medieval mash-up is not so much off the cards, as never was on the cards. What a surprise.

“I wish,” Mirren tells MTV. “I should be so lucky.”

Tomorrow: Daniel Day Lewis signs to play Fouke Le Fitz Waryn, as James Cameron directs Aliens vs Predator vs Outlaws: Rumble in the Greenwood.

I’m calling the Sun’s newsdesk now…

The Author

Dan Jones

Dan Jones was born in 1981 and graduated from Cambridge with a First in History in 2002.

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The Book

Summer of Blood

Summer of Blood:
The Peasants’ Revolt of 1381 Available to buy now from Amazon.co uk